IM 0261/S
Mixed Metal Aviator
Silver double bridge with tortoise acetate corner insets and gradient khaki lenses.
Shop NowParis-born eyewear that looks like it chose you.
Shop Isabel MarantIsabel Marant launched her eponymous label in Paris in 1994, building a reputation on a very specific contradiction: clothes and accessories that look thrown together but are anything but. Her eyewear collection carries the same logic — frames that mix acetate front pieces with refined metal temples, or stack translucent layers over bold cores, producing silhouettes that read as instinctive rather than deliberate. If your wardrobe already leans toward the kind of French dressing that resists being described, Isabel Marant eyewear belongs in it.
— Isabel Marant Eyewear
The Collection
IM 0261/S
Silver double bridge with tortoise acetate corner insets and gradient khaki lenses.
Shop NowIM 0216/S
Gloss black front with crystal-clear temples — architectural contrast at oversized scale.
Shop NowIM 0104/S
Translucent slate-blue frame with gold rivet hardware and gradient dark-grey lenses.
Shop NowThe Edit
The Isabel Marant customer doesn't accessorise — she edits. These are sunglasses for the person who treats a worn-in leather jacket and a sharp pair of frames as equal parts of the same thought. Shot against bleached stone in the brand's campaign imagery, the eyewear has the quality of something found rather than bought — which is exactly the point.
Explore the RangeIsabel Marant pairs acetate front pieces with exposed metal temples in the same frame, a construction decision that gives each style a layered, non-uniform quality you rarely see at this price point.
The hardware is always present but never loud — rivets, logo plaques, and hinge detailing are sized to be noticed only on second look, which is the correct amount of attention for this brand.
Marant's frames tend toward generous proportions without tipping into costume — the oversized silhouettes here still fit close to the face, making them genuinely wearable rather than just editorial.